Daniel Brenners

Daniel Brenners

Set: SAFE EFFICIENT
Visual Language (VOICE)
Contrast of Space: 90% white space
Shape of Forms Square: 1×1″, 2×2”
Orientation of Forms: 90 degrees
Size of Forms: Size should be equal or scale proportionately
Placement of Form: Center
Space between Forms: .25 inches

Objective Rules (assignment rules)
#1 Centered
#2 New Forms should be placed along vertical line

Interpretation of Visual Language
What did you interpret to apply your rules? Mirror set in the center
Explain your process: I interpreted safe and efficient as the fewest number of forms and
fewest “moves” to meet the object. My compositions are also rigid,
and keeping with my two objectives

Set: WHIMSICAL AND DELICATE
Visual Language (VOICE)
Contrast of Space: 90% white space
Shape of Forms: Square 1×1″, 2×2”
Orientation of Forms: 90 degrees
Size of Forms: Size should be equal or scale proportionately
Placement of Form: Center
Space between Forms: .25 inches

Objective Rules (assignment rules)
#1 Centered
#2 New Forms should be placed along vertical line
#3 Forms are skewed just off 90 degrees
#4 Forms are skewed in alternating rotations.

Interpretation of Visual Language
What did you interpret to apply your rules? A safe and efficient set of compositions that underwent a minor earth
Explain your process: I maintained my objective rules from my safe and efficient set in this
one, believing that the fundamental difference between the two is that
in whimsical, things are just “off.” And so, retaining the balance
achieved in the safe and efficient compositions, minor rotations were
given to each form, and in alternating directions as to make the
pieces “dance.”

Set: FIERCE AND DYNAMIC
Visual Language (VOICE)

Contrast of Space: 75% white space
Shape of Forms Square: 2×2″, 3×2”
Orientation of Forms: 45 degrees
Size of Forms: Size should be one of the two mentioned above
Placement of Form: Centered along diagonal axis
Space between Forms: .25 inches

Objective Rules (assignment rules)
#1 No staggering of forms when creating larger form
#2 Forms should not move off of diagonal axis

Interpretation of Visual Language
What did you interpret to apply your rules? Mirror set in the diagonal, and bold forms.
Explain your process: I made sure that my forms were keeping with my objectives
mentioned above. Namely, I interpreted dynamic as angled, and
fierce to be “bold” and intimidating forms. Only broke objectives for
emphasis.